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-blog Portal complementary NTC ... we ran ... .
http://ntcblog.blogspot.com/ , ntcgra@gmail.com Cali, Colombia.
http://ntcblog.blogspot.com/ , ntcgra@gmail.com Cali, Colombia.
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few words
Oscar Hernandez
cents a book. Poetry Collection. Printed and virtual.
No. 63. October 2010
External University of Colombia and El malpensante
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new logo of the collection from No. 60.
THE BOOK. COVER
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Illustration: Comala Antonio Samudio (1989)
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THE POET.
Photo source: http://www.elcolombiano.com/BancoConocimiento/S/si_digo_extraordinario_es_porque_lo_es/si_digo_extraordinario_es_porque_lo_es.asp . Alli text by the poet, column in El Colombiano.
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Born in Medellin in 1925. He studied at the universities of Antioquia and Pontificia Bolivariana. If you do a journalist has 15 years, author of scripts for radio and popular songs, film actor, boxing-dor and footballer in his youth. Dirigi6 the Printing Department. Poet and storyteller. His literary work: Poems of Man (1950), while the logs burn (stories, 1955), The Sunday (prose, 1962); The few words (1958) ; air Inhabitants (1964); At the end of Street (second Esso Prize for Fiction, 1965) for a traveling Verses (1966); The few words and Other Poems (1996); After the Wind (2001) and The few words and other poems (recovered paper - National University 2007).
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back cover. Text Juan Manuel Roca.
(Click on image to enlarge it and make it readable. Click on "Back" on the toolbar to return to here).
(Click on image to enlarge it and make it readable. Click on "Back" on the toolbar to return to here).
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CONTENT.
Anthology by the poet Juan Manuel Roca.
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Soon the entire book online edition at: http://portal.uexternado.edu.co/irj/portal/anonymous?guest_user=deccult&NavigationTarget=navurl://d95772461798d87183669b8b73d66645 (In date, these issues are on the No. 58: groups: 1 , 2, 3 , 4, 5 and 6. This No. 63 will be in Group 7.)
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Image taken from http://www.moir.org.co/IMG/pdf/ArtesyLetras2.pdf
Alli: Oscar Hernandez, Santiago Mutis Durán text on the poet and Poems (including "Simon Metallic"). Bogotá 2009. DISCLAIMER No. 45. November ---- December 2009 -
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MAGAZINE BADGE.
(Click on image to enlarge it and make it readable. Click on "Back" on the toolbar to return to here).
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The latest in books Magazine Credential (Bogotá - Colombia). ISSUE 288 NOVEMBER 2010
http://www.revistacredencial.com.co/lo-mas-reciente-en-libros_8227860-1
The few words
Oscar Hernandez
External University / The Malpensante . 72 pages. 2010.
Let this occasion to outline the very commendable work carried out by this collection of Colombian poets, that under the general title of a book sells copies for pennies to $ 1,000. That's right. That figure can be purchased the verses of the best poets of the country, and some Latin Americans such as Cesar Vallejo and Eugenio Montejo. For this, the number 63 of the collection, its author is one of the most unjustly neglected national bards, a man who, with his words opened doors and windows, marking paths of renewal for the national poetry from the mid- past. His poem to Bolivar, Simon metal * is one of the most beautiful metaphors that have been written about the Liberator. ("The most beautiful poem ever written on the Liberator." Juan Manuel Roca on the back cover of the book.)
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COLLECTION: Nos. 1 to 63
(Click on the image to enlarge and make it readable. Click on "Back" on the toolbar to return to here)
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On the left the old logo. A new logo right from No. 60, inclusive. .
details, images, links on the Library, SEE: "A BOOK FOR CENTS" ,
http://picasaweb.google.com/ntcgra/ UnLibroPorCentavosColeccionDePoesiaUniversidadExternado #
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LINKS ON THE POET
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Oscar Hernandez, Santiago Mutis Durán text on the poet and poems (including "Simon Metallic) Bogotá 2009
http://www.moir.org.co/IMG/pdf/ArtesyLetras2.pdf
boundary does not 45.
November ---- December 2009
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Arcadia - Sep 2007 - Results of the Google Book Search
Review on the book "Word Count and Other Poems"
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http://es.wikipedia.org/wiki/% C3% 93scar_Hern% C3% A1ndez_Monsalve
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The few words and Other Poems Oscar Hernandez
The few words and other poems - Results of the Google Book Search there the whole book.
http://www.divulgacion.unal.edu.co/lecturas_ineditas/proyectos_editoriales/libro_recobrado.html
Oscar Hernandez, a rescue
The publication of this book, there will be a bibliographic curiosity but an act of justice. As is known, in almost all spheres of life, especially among human beings, no justice without memory. Rescue from oblivion this work, leaning with all their lights on Colombian literature since the late 40's means do justice to a writer who for more than a quarter century chose a kind of silent exits through the forum. Oscar Collazos
14x21 • ISBN 978-958-701-812-7 • 191 p. • 2007
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Word count
Santiago Espinosa review The few words and other poems by Oscar Hernandez
By: Santiago Espinosa
ARCADIA, Issue 24, September. 2007. Http://www.revistaarcadia.com/opinion/critica/articulo/palabras-contadas/20860
In reviewing the poems of The few words, it is difficult to agree with what Oscar Collazos says in the foreword of the book: more than one title left to recover critically, rather than an exercise in memory by memory, that has made the collection of the National University is an act of justice. Justice with a work that despite its size-almost 200 pages-book is presented as a clean and necessary. Justice Oscar Hernandez, a poet who is still alive, and despite the disdain of his contemporaries remained whole, in the profession for over fifty years.
This entire volume which was completed by Hernandez in 1986 by its spontaneity and beauty enjoys absolute force, to the point that one might think, a healthy oversight, that these poems were written last week. But that force, which is the greatest virtue of these poems, makes us forget the most important thing: the entire first half of the book, titled as The few words, was published in 1958. The year sound too remote for some poems so close, you have to check the date several times. Before Echevarría and Mario Rogelio Rivero, the boom of urban poetry, "Hernández and had sung in the streets with all the impudence of the citizen. In the same year as lovers Jorge Gaitán Durán when it was announced in the magazine Myth the appearance of a telluric eroticism Colombian poetry, Hernandez, silent, and had written poems and sing to one woman.
Hence, the rescue of this poetry is not only a belated gift. His reappearance in very different circumstances and with poetic almost opposite, is much like the posthumous discovery of the work of Carlos Obregon forces us to rewrite history, to open unexplored paths in a tradition of making poetry between neglect and time it seems that we saved the best for later. Poetry
direct and poignant, surprising. It is noteworthy that in poems long near the dialogue, not a word. Poetry courageous, risk-taking as talk of spite without falling into kitsch, or that Simon Cash, dedicated to Simón Bolívar, not just receive one of the few poems to the Liberator who are saved from the fire, the poem, without further discussion , is a masterpiece.
is not the poetry of Oscar Hernandez of the poet who invents a world of symbols and obsessions. Here the everyday language used in everyday conversation, we are introduced after careful alchemy as the most powerful of all weapons. In a tradition so short of good poets in a major key, with the ability to talk tough without falling in altisonancias, Oscar Hernandez shows us a verse violent, like a waterfall of images breaks through memory and imagination, and leaves on his head a dizzying pace that is resonating several hours later as a kind of spell. And yet, amid the hectic, there are always those hints of tenderness and softness of the man that has not lost the wonder of childhood.
After the reading, except for some poems, in fact very few, leaves the impression of reading an anthology of a pure poet, important, and not a conventional book that the time was discarded. After all that the question arises, how disappears the scene as a poet Oscar Hernandez? The answer, unfortunately, appears to be unrelated to the exercise poetic reasons. In the meantime, before digging into the reasons of history, we have to celebrate a work worth reassessing, which deserves to be read and, thanks to this publication, National University, careful as this whole collection, could survive the tricks of oblivion. ++++++
* Simon metal Word count
Santiago Espinosa review The few words and other poems by Oscar Hernandez
By: Santiago Espinosa
ARCADIA, Issue 24, September. 2007. Http://www.revistaarcadia.com/opinion/critica/articulo/palabras-contadas/20860
In reviewing the poems of The few words, it is difficult to agree with what Oscar Collazos says in the foreword of the book: more than one title left to recover critically, rather than an exercise in memory by memory, that has made the collection of the National University is an act of justice. Justice with a work that despite its size-almost 200 pages-book is presented as a clean and necessary. Justice Oscar Hernandez, a poet who is still alive, and despite the disdain of his contemporaries remained whole, in the profession for over fifty years.
This entire volume which was completed by Hernandez in 1986 by its spontaneity and beauty enjoys absolute force, to the point that one might think, a healthy oversight, that these poems were written last week. But that force, which is the greatest virtue of these poems, makes us forget the most important thing: the entire first half of the book, titled as The few words, was published in 1958. The year sound too remote for some poems so close, you have to check the date several times. Before Echevarría and Mario Rogelio Rivero, the boom of urban poetry, "Hernández and had sung in the streets with all the impudence of the citizen. In the same year as lovers Jorge Gaitán Durán when it was announced in the magazine Myth the appearance of a telluric eroticism Colombian poetry, Hernandez, silent, and had written poems and sing to one woman.
Hence, the rescue of this poetry is not only a belated gift. His reappearance in very different circumstances and with poetic almost opposite, is much like the posthumous discovery of the work of Carlos Obregon forces us to rewrite history, to open unexplored paths in a tradition of making poetry between neglect and time it seems that we saved the best for later. Poetry
direct and poignant, surprising. It is noteworthy that in poems long near the dialogue, not a word. Poetry courageous, risk-taking as talk of spite without falling into kitsch, or that Simon Cash, dedicated to Simón Bolívar, not just receive one of the few poems to the Liberator who are saved from the fire, the poem, without further discussion , is a masterpiece.
is not the poetry of Oscar Hernandez of the poet who invents a world of symbols and obsessions. Here the everyday language used in everyday conversation, we are introduced after careful alchemy as the most powerful of all weapons. In a tradition so short of good poets in a major key, with the ability to talk tough without falling in altisonancias, Oscar Hernandez shows us a verse violent, like a waterfall of images breaks through memory and imagination, and leaves on his head a dizzying pace that is resonating several hours later as a kind of spell. And yet, amid the hectic, there are always those hints of tenderness and softness of the man that has not lost the wonder of childhood.
After the reading, except for some poems, in fact very few, leaves the impression of reading an anthology of a pure poet, important, and not a conventional book that the time was discarded. After all that the question arises, how disappears the scene as a poet Oscar Hernandez? The answer, unfortunately, appears to be unrelated to the exercise poetic reasons. In the meantime, before digging into the reasons of history, we have to celebrate a work worth reassessing, which deserves to be read and, thanks to this publication, National University, careful as this whole collection, could survive the tricks of oblivion. ++++++
Who has not spoken to Bolivar?
Who has not said that freed many nations? Who does not know
in museums
his old sword of war or jacket who stayed behind glass?
All this has already been said, I look at the mineral. Bolivar and his pants
bronze
on all the parks that freedom in America;
bronze sword, his bronze horse, hard
eye, standing in the last contest.
squares in all the land it is falling moss
father, his sword
moss, moss all his bronze
and motionless flanks of his horse died. And put the manufacturer
freedom
a tin crown to last a few days,
become a father, bronze and the horse litter
long speeches.
thousand times have shouted: "Father of the country "
and yet, the owner of the rivers and foals, the glory remasca
operetta showcases
dark corners glory
and parks where there is no gardener but to open his fly. Poor father
Bolivar, punished in the bronze. Hence
no more sales, said the smelter,
and emptied the melted metal clay.
A soul burned Bolivar estatueros
the foundries.
From here we take a step, they said three men
when anchored under a tree and a bird.
Bolivar is dead, dead, is more dead
is tight on his bronze coffin
as a grain of wheat between two rocks;
Bolivar is dead on his horse;
From here we take a step;
and his boot was suspended in the air and another step
has not ever given.
generations are all the parks.
years ago spoke of the war,
our "bloody war"
with pants tied at the ankle.
They circled the statue and put the shoes on
pedestal and maligned the time.
Politicians came and said "the country"
licked the word "Republic"
waiting to eat a syllable, and finally arrived
babysitters
to circle the statue with a crowd of children outside.
Who has not seen the sword of Bolivar
fighting the silence in a museum
his gun and shooting dead epics?
Who does not know who liberated five nations? And that held
this continent as a sword
from Colombia knotty fist?
What was a soldier and consumptive? Hence
not take a step, bronze horse Bolivar
the spurs in your owner
pierce not only the wind in his loins. Father
Corner Bolívar park,
're dying again every evening. ***
Simon fed wins,
covered with
war hanging from their bones, footprints
eat pigeons, privacy
insects, swallows
naps in the folds of his cloak stone.
Simon, son of the father and sword,
giving shelter to the birds. Simon
battle cries
sheathed in all the trees covered
now feeds a metallic silence.
universal Simon, Simon, America,
saved as a stronghold
the shadow of its parks,
its invisible doors and iron. Conquistador
ponds and pine, we've changed
the plain by the fish, the Andes
fog dark
change you back to the pines
and unbridled temper a stone dead on the lawn. They give you crowns
sad as your statue succeeds at dusk,
and every battle with the wind you have a hundred thousand corpses
leaves.
Oh, Bolivar resigned stone, granite
dead meat museum
dust off your jacket,
rusty saber Simon Bolivar, liberator
forges and chisels.
In this America, yours and your arm is going to die
tuberculosis bronze.
Oscar Hernandez (Medellín 1925) Taken from
http://www.hojablanca.net/categoria/correos-del-diablo/
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is also in:
The few words and other poems - Results of the Google Book Search ----
http://circo-analisis.blogspot.com/2010/08/ de-bolivar-and-its-multiple-batallas.html
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updated: NTC ... / gra , Nov. 12, 2010. 2:50 PM
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